Paana or Pallippaana, as it is sometimes called, is a ritual art to propitiate the goddess Bhadrakaali. The art form is popular in the districts of Thrissur, Palakkad and Malappuram. Paana is part of a three day festival. A canopy is supported by 64 posts of cut out from the Paala tree ( Alstonia scholaris) and adorned with tender palm fronds is erected near the shrine of the goddess. A stump of this tree is ceremonially brought to the site and planted there for the occasion and a non-figurative kalam is drawn in the centre using coloured powders. A ceremonial sword is placed on a red silk cloth under the tree stump to signify the presence of the goddess.
At the end of a series of rites, the oracle arrives and moves in a trance around the kalam and the pandal (canopy). The para, a variation of the chenda is the main percussion accompaniment. The dream beats work up to a frenzy to match the steps of the oracle. Performed during the night, the ritual lasts for about three hours
Arjuna nritham (the dance of Arjuna) is a ritual art performed by men and is prevalent in the Bhagavathy temples of Kerala. Arjuna, the most valiant of the five heroic brothers the Pandavas of the epic Mahabharatha.
The kalam is a unique drawing also called dhulee chithram or powder drawing. The artist uses the floor as his canvas. Kalamezhuthu pattu is performed as part of the rituals to worship and propitiate gods like Kaali, Ayyappan or Vettakkorumakan.
Kannyarkali, also known as Desathukali, is a folk art exclusively practised by the Nair community of the Palakkad area. It owes its origin to the pursuit of martial arts in this region which was under constant threat of attack from neighbouring Konganadu.
Kavadiyattam, a colourful ritual art, is a votive offering to Sree Subramanya. Basically of Tamil origin, Kavadiyattam is widely prevalent in the Subramanya temples all over Kerala during the festival seasons.
Kummattikkali is a mask dance popular in some of the northern districts of Kerala. The dancers, wearing painted wooden masks and sporting sprigs of leaves and grass, go dancing from house to house.
Paana or Pallippaana, as it is sometimes called, is a ritual art to propitiate the goddess Bhadrakaali. The art form is popular in the districts of Thrissur, Palakkad and Malappuram.
Patayani is a week- long ritual dance, held in Kaali temples on the banks of the Pamba river during the Malayalam months of Meenam and Medam (March - April).
This ritual offering to Goddess Kaali is performed in many places of South Malabar. A troupe of dancers dress up as Kaali (the Thira) and the accompanying spirits (the Poothams) who were created along with the goddess for the destruction of the evil demon, Daarikan.
Theeyattu is a solo dance-drama performed in front of the Kalam or Dhooli Chitram (ritual drawing with coloured powders). It is enacted in some Bhagavathy temples of Thiruvalla, Kottayam, Thripunithura and neighbouring areas.
Theyyam also known as Kaliyattam, it is a ritual dance popular in north Kerala or the erstwhile Kolathunadu. Theyyam incorporates dance, mime and music and enshrines the rudiments of ancient tribal cultures which attached great importance to the worship of heroes and the spirits of ancestors.
Tholppavakkoothu, literally meaning 'leather puppet play', is a ritual art performed during the annual festivals in the Kaali temples of Palakkad district. The theme of the play is based on the Kamba Ramayana, narrated in a diction that is a mixture of Malayalam and Tamil dialectical variations.
